Asturias (Leyenda), Op. 47 No. 5
by Isaac Albéniz
Originally composed for piano as part of the Suite española and later placed in the collection Chants d'Espagne, Asturias — more commonly known as Leyenda in its guitar arrangement — has become one of the most beloved and most-performed pieces in the classical guitar repertoire. The transcription for guitar, dating from around 1900 and attributed variously to Emilio Pujol and Francisco Tárrega, is so idiomatic that many listeners assume it was composed directly for the instrument: the opening tremolo melody over bass drones mimics the sound of flamenco guitar, while the stormy middle section demands rapid alternating passages and wide position shifts. The characteristic Phrygian modality and Moorish atmosphere evoke the spirit of flamenco without literal quotation. The piece is taught in virtually every conservatory guitar programme and has become one of the defining calling-cards of classical guitar performance worldwide.
Editions
Unión Musical Española
Emilio Pujol, 1921
Pujol's classic transcription edition; the source of most subsequent guitar arrangements and the most widely used.
Schott Music
Andrés Segovia, 1935
Segovia's performing edition with his personal fingerings and interpretive markings; the version most concert guitarists have studied from.
Chanterelle
Stanley Yates, 1995
Modern critical edition comparing original piano sources with major guitar transcriptions; valuable for scholarly and interpretive comparison.