Tarantella for Double Bass and Piano
by Domenico Dragonetti
Domenico Dragonetti — the legendary Venetian double bassist whose superhuman technique astonished all of Europe and who was personally admired by Beethoven — composed numerous concert pieces showcasing the solo capabilities of his instrument. The Tarantella is among the most spirited and technically demanding of these smaller works, exploiting the fast, light passagework that Dragonetti could produce with his distinctive short bow and unconventional technique. Its rapid 6/8 rhythms, flying arpeggios, and high-register passages push the instrument to the limits of agility and demand the kind of fleet fingerboard command associated today only with the most accomplished professional soloists. The piece has enjoyed a revival in the late 20th century as part of the reassessment of Dragonetti's compositional legacy alongside his concert career.
Editions
Simrock
Editorial staff, 1840
Early published edition from Dragonetti's lifetime; historically significant as a primary source for his own performance style.
Yorke Edition
Chi-chi Nwanoku, 1999
Modern performing edition with extensive performance notes and alternative fingerings by Chi-chi Nwanoku; the preferred text for contemporary performance.
Friedrich Zimmermann
Ludwig Streicher, 1980
Practical edition with bowings by the Vienna Philharmonic's principal bassist Ludwig Streicher; widely used in Central European conservatories.