Concerto for Double Bass in D major
by Franz Anton Hoffmeister
Franz Anton Hoffmeister's Double Bass Concerto in D major (c. 1790) is one of the most important and frequently performed works in the solo bass repertoire, occupying a similar position to the Dittersdorf and Vanhal concertos as a vehicle for demonstrating the bass's lyrical and technical possibilities in the Classical era. Hoffmeister — better known as a publisher who founded the firm that became Breitkopf & Härtel — was also a prolific composer, and the concerto reveals a genuine understanding of the instrument's singing character. The opening Allegro moderato presents two contrasting themes with a clear sense of Classical formal architecture, the Andante sings with genuine melodic warmth, and the Rondo finale's folk-dance energy makes it a crowd-pleasing conclusion. The concerto has been championed by virtually every major double bass soloist of the past century and remains a key recital and concerto work for the instrument.
Movements
Editions
International Music Company
Lawrence Hurst, 1966
Standard performing edition widely used for over fifty years; includes bowings and fingerings for modern orchestral bass.
Doblinger
Klaus Stoll, 1981
Austrian edition with Stoll's own editing from the Berlin Philharmonic tradition; includes ossia passages for difficult sections.