Prelude and Fugue on the name BACH, S. 260
by Franz Liszt
Composed in 1855 and extensively revised in 1870, this is the most celebrated and technically demanding Romantic organ work outside the French tradition. The four-note motif B-A-C-H (using German note names, where B is B-flat and H is B-natural) serves as the subject of both the turbulent prelude and the massive double fugue. Liszt's organ writing draws on his pianistic virtuosity, demanding huge stretches, rapid repeated chords, and a commanding control of registration throughout.
Editions
Breitkopf & Härtel
Karl Straube, 1908
Classic early edition prepared by the great Bach-organist Karl Straube, with detailed registration for German Romantic organs.
Edition Peters
Hermann Keller, 1936
Revised practical edition with updated registration suggestions; widely used in European conservatories.
Bärenreiter
Michael Gailit, 2004
Critical edition comparing both the 1855 and 1870 versions with full critical commentary. Preferred for informed scholarly performance.