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Tomás Luis de Victoria

c. 1548–1611

A Spanish Renaissance composer and priest whose surviving output is devoted chiefly to sacred vocal music, including masses, motets, and settings for Holy Week.

Tomás Luis de Victoria: summary contributions

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16th c. · High Renaissance

Musical context

High Renaissance · 16th c.

Music printing widened the circulation of repertory, while the Reformation and Catholic reform reshaped worship and musical patronage. Josquin, Palestrina, and their contemporaries developed inherited polyphonic traditions; composers of madrigals also explored increasingly close relationships between poetry and sound. Different religious communities adopted different musical practices, so this century brought several overlapping traditions rather than one uniform style. Explore the era →

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Pieces

No pieces by Tomás Luis de Victoria have been added to the catalog yet.